關渡美術館

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關渡美術館
關渡美術館2007勁秀系列-I ---侯怡亭個展
展覽日期
2007-03-02 ~ 2007-04-08
 

關渡美術館2007勁秀系列-I ---侯怡亭個展

展期: 2007-03-02 ~ 2007-04-08
地點: 週二至週日 上午10:00-下午5:00

我的作品一向以自身的身體執行「去中心」行為,也就是將自身的身體空間,納入、粘合到異質空間中。這裡存有的意識以及身體感,並非決然經由身體自發。雖然在作品形式上,如此的行徑是以主動者的身分,進入扁平的異空間,但是在作品意念上,處於媒體中且被消費的「膜」,才是具有主動襲擊能力的,意即:我們才是被箝制住的,主體是薄弱的、冷感的、僵化的、被操作的。身體與媒介物產生拉鋸,將自身化身為媒體物,經由眼睛進入大腦的是消費文明中最熱門的美好。當身體踏入由光所組成的虛影,我們靠著鏡像,在虛影中檢視自己,檢視自身的軀殼與想像的光體,是否達成更完滿的超越境界。
我透過「虛擬身體」和「現實身體」的相互介入,表達當代社會中,媒體物質以及流行符號對於我們身體的影響。任何介面的消費、視網膜、螢幕,都是當代人賴以維生的養分,但是誰才是主動篡位的一方?在我的作品中,二者皆是。

In this series of work, the main concept is the relation between abstract images and actual substance. These images come from a fictitious world, and they then become animated and exist in modern people’s mind. It brings about a phenomenon that in Asia, some young people like to wear make up exaggeratedly, and dress up as their idols in caricature. They wish to transform a fictitious world into a real world, and establish their own stage. However, the appearance of a role is not so significant here; what I am trying to express in this work is fusion and intervention. In this world of globalization, it is a trend to have a whole new outward look. In other words, a new life could be brought up through a new outfit. One could have a totally new identification, which is irrelevant to knowledge, experience and age. What matters is the mixture of materials and fictitious. The prevalence of mass media and communication influences us a lot. That is to say, media creates new idols and spread these new images to people immediately. AN OBJECT MAY NOT BE A REAL ONE. From my point of view, only the mixed production could be regarded as a completion in this new age. Fictitiousness covers substance, and substance covers fictitiousness. This is a New HYBRID.