關渡美術館

  • 加入最愛
關渡美術館
prattle 2010美術創作卓越獎
展覽日期
2010-04-02 ~ 2010-05-09
展覽名稱:prattle: 2010美術創作卓越獎
展覽時間:2010年4月9日至5月9日
展覽簡介:
prattle是聊,不正經地,不太熟練地。
當然我們不必期待著過於嚴肅的看待展覽名稱,實際上它首先是個刊物的名稱。
透過籌備實驗刊物「prattle」期間,寫手吳思嶔對於另一創作者劉玗所提供的創作趨力解析,我們得以開展出一套展覽製作並且翻轉它的方式。
按照吳思嶔的說法,劉玗的創作圍繞著不存在於作品中;連創作者本身都未察覺的秘密動機,這個趨力的根源是位於不可能的真實(the Real)的參照點,運作出現實(reality),而非透過某種處於現實的許多敘事方式匯集成一種圍繞著「不可能—真實」的收束狀態。
透過劉玗所提供的欲力經濟學,我們得以進行回溯性的操作,或者說是種倒著喝的配方,藉此想像另外一種展演:將藝術刊物的結構策畫成展覽的運作方式。在這邊,刊物並不是一般性地以周邊商品的角色出現在展覽中,而是不在場的提示。當刊物嘗試著實驗性的對話方式,展覽便透過刊物編纂概念的類比來形成結構展場的判準。並且在知識生產的層面上,模糊著藝術刊物與展覽兩者各自扮演的角色。
二十一件作品之間的相互關係則由七位創作者透過不同的原則共同討論出四種關係圖,展場的配置則從四個關係圖中隨機挑選,進行實際的展場規畫,讓展場如同藝術刊物「prattle」一般地構成。當然,理想上「prattle」也期待著不只是漫談著藝術問題的刊物,而日後擁有紙上策展的效力。
 
 
 
Exhibition Introduction:
    Certainly we don’t have to expect any serious understanding of the exhibition title, since it’s actually a title of a publication. In the process of making the publication of “Prattle”, writer Wu, Sih-chin analyzed artist Liu, Yu’s drive to create. We thus generate a possibility to make an exhibition and also the way to reverse it.
    According to Wu, Liu, Yu’s artworks are surrounded with a cipher which does not exist in the artworks. Even the artist herself is not aware of it. The drive actually came from the reference to the Real. The operations brought out the reality, instead of using many actual stories to conclude into a final status of “Impossible-real”.
    Meanwhile, through the example of libido which Liu, Yu provides, we can thus reverse the operations. Or we can say that it is a prescription we need to take the other way round! We consequently start to imagine another kind of exhibition: An exhibition operation generated from a publication. In this case, a publication is not merely a supporting role to the show. It has become an implication of alibi. We use experimental dialogues in the publication, and we also apply the same “publication-making” concept to the exhibition as criteria. In the aspect of knowledge creating, we also try to blur the roles played by the art publication and exhibition.
    7 artists generated 4 relationship diagrams of 21 artworks on different basis. We randomly picked up one diagram and apply it into the actual planning of the venue. The show display would be completed gradually, just like the title of the publication: Prattle. We certainly have a prospect of “Prattle” as a paper-curator rather than simply a publication of art issues.